ABOLITION
JOURNAL


EVERYDAY SH!T: THE PILOT ISSUE

  1. Editors’ Notes: On Direction & On Poetry | Christopher R. Rogers and Gabriel Ramirez
  2. Abolition is a Brick: On the Origins of the Du Bois Movement School | Geo Maher
  3. The High School Lunch Table Reimagined | David A. Gaines
  4. Relearning the Language of Care | Alexandrea Henry
  5. Tossed About the Room | Tongo Eisen-Martin
  6. From Abolition School to Palestine | Farwa Zaidi in convo w/ Nneka Azuka & Talia Charidah
  7. Movement Moments: PAO Rally Speech | Nneka A.
  8. protest | Raina J. León
  9. The Kids | Alyesha Wise
  10. All (Purchasing) Power to the People | Saskia Kercy
  11. (communique #1) | S. R. Lalo
  12. From Intention to Liberation | Abbas Naqvi
  13. Standardized Test | Taylor Alyson Lewis
  14. The New Republic of Kindergarten | Hiwot Adilow
  15. Lost Lady. Found Niece. | Kiian Dawn
  16. Holding the Jagged Edges | Shantell Missouri
  17. Prison Radio Suite x Abolition Journal |  Kevin “Rashid” Johnson, KnowledgeBorn GodAllah, Krystal Clark, & Spoon Jackson
  18. “Ultimately, What Any of Us Want is Structural Change” | No Arena in Chinatown x Abolition Journal Roundtable
  19. Healing “Body & Soul” | Jake Sonnenberg of Healthcare Workers for Abolition
  20. Abolition Starts at Home | frenchy, Han & zara of the The Philly Childcare Collective
  21. Maximizing Study & Struggle between Haiti and Philadelphia | Talie Cerin & James Beltis x Woy Magazine
  22. Migrant Justice, Border Abolition & The Resistance of Now | Sterling K. Johnson in convo w/ Viktoria Zerda
  23. Movement Life-in-the-Along & the Grand (Re)Vision of Abolition Journal | Christopher R. Rogers



protest | RAINA J. LÉON

After “An Independent Palestine State” by Richard B. Doubleday 
On January 29, 2024 

no Peppa, no potty she says 
while she hardens her eyes, drops 
her mouth’s softness to stone grimace. 
she will not go 
though she must. 

no Peppa, no potty when i remind 
that she can watch as i do her hair, 
our morning ritual, love in tender brush. 
the tangles releasing to the oils in my hands 
i offer her this lesson: 
i support and celebrate 
her ability to choose 
even her own body’s work. 
always I honor her right, but protest 
for free life. 

should i tell her about the girl
in the bombed out car, her family dead
around her. how she called for help,
the pleading of many tongues

يساعد1

                                                                                                                                         ע ָזרה2

help
fleshy to its tooth breaking pit
all she received was her body’s retrieval when the bullets stopped gutting metal. how to cut the wisps of my daughter with this, a name, hind rajab, which means not only gentle deer but tender. a name, which means
respect, to awe, to fear.
gentle to awe. the feared deer.


how to feed my daughter on fat and lean of new words:
atrocity and devastation and genocide
i tell her about the children 
without running water 
without light or food 
or cupcakes 
she is 3 


what should i tell her about how the killers use 
the cries of children to call the people out 
to explode the bombs in their tanks 
the gathering of limbs to bury wrapped in white 
how one body becomes the communal body 
not this 
there was a picture of a little girl 
in a graduation gown 
behind her delicate tulips 
The color of hair bows set in the silk of her hair, pastels the color hair bows should be 
maybe she wanted to be a doctor 
like my daughter 
like the two ambulance workers who died 
trying to save her 
she was 5 
335 bullets were fired into that car 

my daughter has just learned to count to 12 

no Peppa, no potty a first protest 

i tell her we must stand for something 
we can sit, too, for something 
protest for a life 
a protest is a way to help 
even a child can do 

we must protest for the good of people 
protest to live 
live out a gentle 
awe 
without fear 
my daughter wants to be a healer 
someday 
but today she learns her body 
can be a protest 
and must

1yusaeid (Arabic for help)
2ʿezrá (Hebrew for help) 


Raina J. León, PhD is Black, Afro-Boricua, and from Philadelphia (Lenni Lenape ancestral lands). She is a member or fellow of the Carolina African American Writers Collective, Cave Canem, CantoMundo, Macondo, Obsidian Foundation, The Watering Hole. She is the author of black god mother this body, Canticle of Idols, Boogeyman Dawn, sombra : (dis)locate, and the chapbooks, profeta without refuge and Areyto to Atabey: Essays on the Mother(ing) Self. She publishes across forms in visual art, poetry, nonfiction, fiction, and scholarly work. She teaches at the Stonecoast MFA at the University of Southern Maine.